November 2024 - March 2025
Celebrating the Return
Visuals: Tara Dunn , Supervised by Dr. Aleksandra Dulic
Audio: Dr. Miles Thorogood & Yahvardhan Joshi
Techincal Set Up: Dr. Miles Thorogood, Chris Anderson, & Yahvardhan Joshi
Gobo Light + Sound Installation at Kelowna Art Walk & Video Exhibition at the Kelowna Community Theatre
The exhibition consists of three elements viewed together: the gobo lights, the audio installation, and the three-channel video.
The exhibition highlights the cultural and ecological significance of restoring Sockeye Salmon and the cultural imperative of restoring Okanagan habitats, riparian systems, and biodiversity.
The Gobo Lights & Sound Installation
Kelowna Art Walk
The imagery created for Gobo Lights and Sound Walk celebrates the return of the Salmon to the Okanagan.
In response to the success of the salmon return to the Okanagan, École Okanagan Mission Secondary student Tara Dunn created the salmon imagery and symmetrical arrangement to mark this incredible initiative. Tara made this work as a math assignment for a tessellation project and a study of symmetry operations. Under the supervision of UBCO Associate Professor Aleksandra Dulic, this project was expanded to create variations across five Gobo lights.
UBCO Assistant Professor Miles Thorogood and his undergraduate research assistant, Yahvardhan Joshi, created a sound installation that immerses the salmon in a flowing river of sounds. The flexible and generative composition of audio materials, composed of the sounds of diverse Okanagan waterscapes, allows sonic imagery to create relational and emergent compositions continually recomposed as the sounds of the water fill the space of the Art Walk.
The Video Installation
Kelowna Community Theatre
Okanagan Waterways, a three-channel video installation, is a flexible media journey that impresses the beauty and sensitivity of various ecosystems throughout the Okanagan region. The work addresses water sustainability in Okanagan from multiple perspectives to create an immersive cinematic experience that combines common themes of personal and collective water responsibilities.
The media was collected through a four-year process of shadowing Indigenous Knowledge Keepers and experts on the Land at the En’owkin Center, focusing on Syilx values and land-based knowledge as reflected in the images of the sensitive Okanagan Ecosystems. The recorded material includes the environmental and cultural details of the Okanagan environments, soundscapes, and community events.
The media screens' flexible and generative composition allows video and photographic imagery to effectively create relational and emergent compositions that articulate new patterns through novel juxtapositions of media elements.
This work embodies shifting innovations in hardware and software developed for Kelowna Community Theatre windows to enable a new expressive community platform for social and cultural interactions. New representational possibilities and cultural meaning are complex products constructed from multiple sources of visual imagery to create vivid, sensual narratives of Okanagan waterways.
